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In Count Yorga, Vampire , the vampire lives in modern-day L. The decade ended with a remake, Dracula The vampire, portrayed by actor Frank Langella, is attractive and highly erotic. This romantic version of the classic novel takes the emphasis away from explicit sex, as though in anticipation of the s. In the s, vampire literature made a big splash with author Anne Rice. In her novels, vampires live among humans, have always lived among humans, and have a distinct, separate culture. This is analogous in a number of ways to homosexuality, with its wider acceptance, the realization that being gay is not a choice, and the existence of a separate and still largely hidden gay subculture.

Scholar George E. There can be no doubt that Anne Rice created a lush, detailed, and highly erotic world. The vampires live in the world of mortals yet somehow remain separate. They feel and want many of the same things as everyone else. They are also very appealing to gay men, for whom the thought of remaining young and beautiful forever can be intoxicating. By the end of Interview with the Vampire, the boy wants to become a vampire himself. The boy stuttered, a low guttural sound coming out of his throat … his eyes widening only to become dull and gray as the vampire drank.

These vampires are truly frightening. In Cruising , there was an undeniable message that gay sex and promiscuity lead to death.

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A backlash can also be seen in movies such as The Birdcage, in which gays are merely harmless and humorous objects of derision. Against this reactionary backdrop, vampires were often seen in a similar light. This is a clear metaphor for homosexual seduction and the fear of gays promulgated by some conservatives.

The Lost Boys serves as a cautionary warning: a group of boys who only want to play at night are coming for your sons. The movie at its core is about family a dominant theme in the s , whether made up of a mom and her sons or created by homosocial male bonding. In The Hunger The AIDS crisis was reflected in vampire culture as well. Scholar Nina Auerbach writes that vampires were stricken like many homosexuals , and would no longer be young and beautiful forever, but become tragically mortal. She discusses a novel by Brian Aldiss, Dracula Unbound , in which Dracula suffers from syphilis, another sexually transmitted disease.

Scholar David J. There were gay characters in movies, on television, on stage, and in books. Also popular were romances such as Beautiful Thing , Edge of Seventeen , and Get Real , which presented gay love as entirely ordinary. There was also a growing underground gay film scene led by filmmaker Bruce LaBruce, whose films have explored all genres of sexual expression, however extreme, including the presence of vampires and zombies. A more accepting attitude is also evident in recent works about vampire culture.

Author Ulysses G. Dietz writes a series of books about Desmond Beckwith, a successful financial genius with many friends and an active gay sex life who just happens to be a vampire as well. Like many, he lives a relatively normal life, spending a good deal of time searching for real love.

Much more representative of gays in American culture are the vampires in the television shows Buffy the Vampire Slayer and Angel Their representatives go on television discussion shows to make their case for equal rights. Vampire-human marriage has recently been legalized, provoking a backlash similar to the one against gay marriage. The similarities are endless, and deliberate. Vampires have become omnipresent in American popular culture. They are the stars of documentaries on the History Channel.

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The vampire movie Twilight , based on a hugely popular novel written by a Mormon, was recently the American box office champion. This constant metamorphosis reminds us that monsters are a product of the culture in which they arise, that difference or otherness is part of what makes them scary, and that there is always a mixture of fear and desire surrounding monsters.

All three of these properties can be applied to GLBT people as conceived in the popular imagination, including even the third, as much of the most virulent homophobia appears linked to repressed same-sex desires. The great change that has occurred in societal attitudes towards vampires and gays is especially evident in literature. He lay like a filthy leech, exhausted with his repletion. He picked me up, easily as always, and pushed my face into his neck. The wind rushed around us. What does the 21st century hold? I can see nothing but a continuation of a parallel trajectory for both gays and vampires.

Similarly, a majority of Americans now favor same-sex marriage, which was a truly scary prospect only a decade ago. President Obama announced his support for marriage equality and was re-elected handily. Gay people, like vampires, have lost their alien status and no longer frighten people—including voters, whose fears cannot be so easily demagogued by right-wing politicians.

If people want scary, they can always go back to the old vampire movies. But here is where reality and fantasy part company: there is no going back to the bad old days of GLBT ostracism and oppression. Craft, Christopher. Haggerty, George E. May, Elaine Tyler. Basic Books, Schaffer, Talia. Skal, David J. Norton, Richard S. Primuth is an instructor in American history at the University of West Georgia.

Aggretsuko charmed adult fans of Sanrio in its first season by just being so damn relatable. The first half of the season deals with a particularly terrible co-worker — and one who might not be so bad.

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Of course, because this is a Sanrio world, the conversation happens in a karaoke bar through heavy metal, but that only adds to the charm of the show. Sometimes in order to have those heavy convos, you gotta do it with heavy metal.


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Did Barry need a second season? Maybe not, as creators Bill Hader and Alex Berg delivered a perfect first run of season 1 episodes dealing with a conflicted assassin who tries to work through his feelings by taking acting classes.


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But the show continues to be both funny and surreal as it explores just how hard it is to leave a life of violence. The tone may be hard to describe, but its internal consistency holds everything together with confidence and grace. I mean, where else are you going to get a chance to see Paul Giamatti with a safety pin pushed through his nipple? The show explores legal and financial corruption, as men who speak mostly in pop culture references go to war with each other over who is less able to realize when they have enough money and power although that status quo was upended when a gender non-binary character named Taylor Mason was introduced and forced a community defined by toxic masculinity to think about gender pronouns for the first time.

That reaction will likely tell you very quickly whether you should start watching Billions. Stream on Showtime. The latest season has a higher density of jokes and a seemingly increased drive to dig into deeper issues e. Ending a TV show well is hard. Ending a musical comedy TV show that deals with the darkest mental health issues well seemed impossible.

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Crazy Ex-Girlfriend creators Aline Brosh McKenna and Rachel Bloom who plays the titular crazy ex-girlfriend, Rebecca Bunch stuck the landing, though, providing satisfying closure for every character in the quirky ensemble without neatly solving all of their problems. Bloom is a musical comedy savant with a glorious weird streak. Throughout its four seasons, Crazy Ex was beloved by critics, but the fan base remained relatively small, but passionate.

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Documentary Now! Fleabag is six hours of perfect, razor-sharp television.

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Incrementally better. That makes Fleabag sound sad, and sure, it hits hard. With all of the characters finally gathered and more money than God to back production, the series is going out with a bang, with every character set-up paying off in these last few episodes. Doom is descending upon Westeros in the form of White Walkers, and even in the face of ecological disaster, the question of who will end up on the Iron Throne remains up in the air. Will it be Daenerys, with her two dragons?

Will it be Jon, who now has a legitimate claim to rule?


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Will Cersei make it out alive? Built with the legal framework of The Good Wife , The Good Fight is less case-of-the-week procedural than baroque theatre ripped from the Brechtian playbook — complete with orchestral walk-and-talks, musical asides courtesy of Jonathan Coulton , and fourth-wall-breaking monologues. Season 3 finds Diane Christine Baranski taking radical steps to combat an ethics-less administration, Maia Rose Leslie stuck in a legal limbo exacerbated by privilege, Lucca Cush Jumbo juggling child-rearing with career advancement in a working world that questions her abilities, and Adrian Delroy Lindo and Liz Audra McDonald dealing with a MeToo eruption that could jeopardize the firm.

Adding to the blaze is new cast member Michael Sheen as a Roy Cohn-esque lawyer with anarchistic tendencies. Truly, there is no show embodying the here and now more than The Good Fight. High Maintenance got its start on Vimeo, gaining popularity through to minute comedy shorts. Ben Sinclair plays The Guy, an unnamed character who sells and delivers weed. The show follows him, his clients not all of whom are recurring , and the people he meets. High Maintenance offers unexpectedly poignant glimpses into the lives of New Yorkers, finding a little more pain in the world.

In between fun interludes like an elderly woman raving on the sidewalk, we see how others mourn for the death of a loved one or dealing with the messy parts of a divorce.